Posts Tagged Marty Reisman

Ping Pong Rhapsody By Sponge/Foam Paddle-Lover Steve Zeitlin

Champion and hustler Marty Reisman prefers hard bat at 82

I found a very thoughtful and descriptive story about Marty Reisman and hardbat vs sponge ping pong written in 2000 by Steve Zeitlin, WNYC’s ping pong correspondent. Here are some excerpts:

“In the world championship today,” Marty says, “the ball goes no more than three times across the net. In the old days, rallies would be 30 or 40 strokes. There was a dialogue between two players that even a child could understand.” The beautiful sound of”kerplock-plock, kerplock-plock” was reduced, according to table tennis writer Howard Jacobson, to “squelch-plock, squelch-plock.”

Steve continues: “I should prefer the old racket. But I love the sponge foam racket. That racket transformed the game from a miniature version of tennis to a far more complex game of finesse, touch, and subtle spins. As player Phil Perelman put it, “to see what Marty can do with that primitive racket is like watching Itzhak Perlman play a concert on a ukelele…”

“You see, Marty, the great shots come from the foam. The foam gave us the flawless chop, or slice. Perfectly executed, it makes no sound. Then there’s the chop slam. A slam is hard to hit back, but trying to hit back a chop slam is like trying to return a balloon with the air rushing out of it…

Ping pong players also talk to each other with their shots. Tuesday nights Stefan Kanfer and I hit backspin to top spin. His backspin reads as topspin on my side of the table. So defensively, a chop can be countered with a chop that negates the topspin. But I relish countering his chop with my loop. The loop starts at the knees and moves up to take the opponent’s spin and double it; when he chops it back, the spin quadruples. It’s as if we’re trading jokes with classic one-upsmanship. Marty would never approve…

Mihaly Csiszentmihalyi once asked why Americans enjoy activities that offer little or no material reward. He concluded that play provides a feeling characterized by an unself-conscious sense of absorption. In the full experience of play, we act within a dynamic that he called flow. “Action follows upon action according to an internal logic that seems to need no conscious intervention by the actor. He experiences it as a unified flowing from one moment to the next.”

Mastering the neurophysiological skills of a sport is not just learning the game. It’s attuning yourself to the inner life of the sport, to the poetry in motion. A player masters the game the way a thief opens a safe: ear to the combination lock, breaking into the inner chambers through the subtleties. Players become part of a community that knows what it feels like when the shot is hit right.

When I’m playing ping pong, I often feel that a particular spot on the other end of the table is in my hands. It’s as if I could stretch my arm seven feet across the table to touch the place where I know the ball will hit. That may be a bit the way Babe Ruth felt, when (according to legend) he pointed to the center-field wall before he hit a home run.”

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Ping Pong Champ Marty Reisman Entertains And Hustles With Hard Paddles

Marty Reisman is one of the last—and definitely the most colorful —of the old ping pong champions still around. At 82, he continues to play aggressively, says he is always learning and improving, and is a helluva character. He is the only American to ever win the British Open, and you can see him doing it in the video above, when he was 19. Notice how different the rally is—using the classic hard paddle of those days—compared to modern, sponge-racket play with more spins, slams and shorter rallies.

On the web site for the company he co-founded, Table Tennis Nation, which sells paddles, tables and is affiliated with ping pong parlors, here is how he modestly describes himself:

“…a legend, a 23-time international and domestic champion, author, world-class hustler, performer, unmistakable colorful character and unarguably the most charismatic player to ever step onto the court.

Marty became mesmerized with the game at the age of 12— the kerplock of the ball across the table, the buzzing vibration of each shot up the wrist, the adrenaline, the drama—and has since devoted his life to the game. He has played (and won) against presidents and princes, CEOs and celebrities, sports stars and socialites, musicians and maharajas. He’s toured as the opening act for the Harlem Globetrotters and played in front of crowds of 75,000. His trademark forehand can clock a staggering 115 mph. He holds the title as the oldest person to ever win a national open title in a racket sport, an achievement he has held since 1997 where at the age of 67 he won the US Hardbat National Championship.”

He also played a lot of games for money and is still hustling kids when he can, according to a recent New York Times article .

Hardbat refers to classic dimpled and sandpaper rackets that were more popular until sponge took over in the 1950’s. Here are excerpts from an article by Scott Gordon of why he prefers hardbat:

“The sponge game uses an explosive, reactive instrument capable of applying such spin as to fly off the opponent’s bat many feet sideways with just a touch. One result is dominance by attacking styles. HardBat, by contrast, is a game in which defense is possible, and therefore used and necessary. It is more balanced in terms of offense and defense, the two essential elements in any sport. This yin/yang is missing in the sponge game. ”

(In this next video, you can really see how much longer and simpler the hardbat rallies can be, especially the 30-second rally beginning at 2:09.)

“With a hardbat, the player feels the shock of the ball hitting the wood, the energy transmitted directly to the hand. When a player cracks a solid slam, it is through the force of his/her swing, and nothing else. The power is unaided by any catapulting effect; all action by the player produces an equal/opposite reaction on the ball and a commensurate “whack” sound from the wood.

“Although it is more difficult to apply spin in hardbat, it is easier to “read” the spin applied by the opponent. One can generally tell what spin has been placed on the ball because the opponent would have had to use a full stroke to apply the spin. By contrast, in the modern (sponge) game, spin can be applied by very slight movements, or may be affected by differences in the rubber surfaces…sometimes even two different surfaces on the same bat. Since it is easier to read the hardbat spin, it is easier to keep the ball in play and rallies are usually longer. Mystery and deception are reduced.

“In the sponge game, you are always one loop-kill away from losing the point. There is little room for too much variety, too much personal style, too much relaxation. Death is always at hand. In the HardBat game, there are many ways to play successfully, and with greater chances to return the ball. Styles that would face instant death in the sponge world can survive in the hardbat world.”

Here Marty gives some tips on playing ping pong and demonstrates behind the back returns:

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How To Dress When You Play Ping Pong

Champion ping pong player Marty Reisman has style that should not be missed…he always wears a hat, even when competing…and he has also won 23 national and international titles, including being the only American to ever win the English Open. Maybe clothes help make the man a champ.

pink shirt, blue paddle, orange ball, white hat—classy athlete

love those pants, Marty

Marty Reisman portrait—check out those kicks

cool and colorful

man in black

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Federer as William Tell

Joe Marshall sent me this video above of Roger Federer imitating William Tell—both Swiss he points out. Just yesterday I saw a video with a similar trick on the ping pong table by Marty Reisman, also a champion who I will talk about shortly. When you see skill like this, it helps me understand how these top talents can place the ball so accurately.

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